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While certainly cut from the same cloth as Uno!, Dos! has a different feel than its cousin. Amidst the chaos, the one thing unaffected was Dos!, which appeared according to schedule in November of 2012. Needless to say, the band's complicated plans for 20 were adjusted, with the supporting tour scrapped and the concluding LP Tre! moved up from January to December. Two days after the release of Uno, the first installment of an ambitious punk-pop trilogy from Green Day, Billie Joe Armstrong checked into rehab for various substance problems, problems that reached a head during an on-stage meltdown at a radio festival the weekend prior to the album's release.
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The memorable record showcases an array of musical styles and includes the standouts “Stray Heart,” “Ashley” and “See You Tonight.” Tre, the concluding chapter, is slated for a release in December, 2012. The thirteen-track collection is garage rock at its finest. The GRAMMY Award-winning band Green Day releases the second installment of their ongoing album trilogy. It was delivered to Ted Jensen at Sterling Sound in NYC as 96K digital mixes and mastered at 96/24.įLAC (tracks) 24 bit/96 kHz | Time - 39:28 minutes | 881 MB It's the work not of punks but of road warriors eager to have a new batch of crowd-pleasers out on tour.Ībout Mastering: Uno! was a 96/24 multi-track digital session mixed through an analog desk with analog EQ and analog effects. The hooks fly furiously, the attack is precise – so precise that the mock dance-rock of "Kill the DJ" almost plays like a Xerox of Franz Ferdinand (it also is the one explicitly political song here, as if the trio members wanted to hide their intentions) – and the hooks, in both the melodies and riffs, are so huge, they gleefully bludgeon doubters into blissful submission. Compared to their busman's holiday Foxboro Hot Tubs, ¡Uno! seems well-pressed and tidy, every note and every rhythm in its right place, and while that inspired recklessness is missed, this brisk, cheerful collection of pop is a relief after the operatic ambitions of 21st Century Breakdown. This is all power pop and three-chord rockers, the tempo insistent and the hooks spiky and sharp the only time things let up is at the end with "Oh Love," an arena filler so indebted to the Who that Billie Joe Armstrong winds up referencing "Love Reign O'er Me." Even then, the sound is big, crisp, and clean, as it is throughout ¡Uno!, and that clarity undercuts some of the punkiness of Green Day's intentions. For as many passing references to the Clash as there are on ¡Uno! – musical and lyrical, with the opening "Nuclear Family" alluding to the riff of "Safe European Home" and "Rusty James" talking about the "last gang in town" – this is no Sandinista!, as it finds Green Day shrinking their world, not expanding it. They started to knock out a bunch of garage punk tunes and wound up with not one but three collections of punk-pop: a trilogy entitled ¡Uno!, ¡Dos!, ¡Tré!, each released within a couple months of one another. Green Day's new millennium elevation to Very Important Band is so complete that when they decided to return to their frivolous punk roots they couldn't do it in a small way.
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Uno! includes standouts “Let Yourself Go,” “Stay The Night” and “Angel Blue.” The album packs all the punch one has come to expect from Green Day. Billie Joe Armstrong belts with furious precision. This punk-pop effort finds the trio producing their most cohesive record to date, incorporating engaging hooks, pulsating rhythms and crisp sounds.
GREEN DAY UNO DOS TRE ALBUM COVERS SERIES
It is the first installment of a new series that will be released through January 2013. Uno! is the highly-anticipated ninth studio album by American punk rock legends, Green Day.
GREEN DAY UNO DOS TRE ALBUM COVERS DOWNLOAD
Studio Master, Official Digital Download | Artwork: Front cover FLAC (tracks) 24 bit/96 kHz | Time - 41:49 minutes | 956 MB